11/15/2007

DIE RÖMER IV

Angst und Hoffnung in zerbrechlichen Zeiten
Eine Kooperation der Akademie Schloss Solitude und der Kunststiftung Baden-Württemberg

Bani Abidi, Heike Aumüller, Lisa Biedlingmaier, Corinne May Botz, Julien Diehn, Ragani Haas, Iassen Markov, Matthias Megyeri, Olof Olsson, Jasmeen Patheja und Patricia Thoma

Die Akademie Schloss Solitude und die Kunststiftung Baden-Württemberg haben am Samstag den 10. November 2007 zum vierten Mal zu einem gemeinsamen Ausstellungsabend eingeladen. Für einen weiteren Abend traten die Werke der Stuttgarter und der internationalen Künstlerinnen und Künstler im Solitude-Projektraum in der Innenstadt in einen spannenden und fruchtbaren Dialog. Neben permanent installierten Arbeiten fand über den Abend verteilt ein Programm statt, dass sich aus drei Performances von Olof Olsson (ca. 20.30), Iassen Markov (ca. 21.15) und Ragani Haas (ca. 22.00) sowie der Präsentation der Videoarbeit "Blindlings" von Heike Aumüller am Anfang und am Ende des Abends zusammensetzt.











11/06/2007

Die Römer IV. Angst und Hoffnung in zerbrechlichen Zeiten.

(Fear and Hope in Fragile Times)
Saturday, November 10, 8 pm
Projektraum Römerstr. 2, Stuttgart

For the fourth time, the Baden-Württemberg Art Foundation and the Akademie Schloss Solitude invite you to a collaborative exhibition evening in the Römerstrasse. The focus of the program – which includes installations, video presentations and performances – is the question of how young artists deal with fear and hope in an increasingly vulnerable society. Inspired by the topic »dealing with fear,« an issue that will guide the Akademie’s interdisciplinary work for the next two years, art coordination fellows Ramona Dengel (Kunststiftung Baden-Württemberg) and Antonia Lotz (Akademie Schloss Solitude) have curated the evening’s work with a focus on the question of balance and withdrawal and action in trouble times.

A cooperation between Akademie Schloss Solitude and the Kunststiftung Baden-Württemberg.


11/05/2007

Since When and Why Are We Afraid of the Future?

Abstract of the Lecture
»Since When and Why Are We Afraid of the Future?«
by Hans Ulrich Gumbrecht
held on October 18, 2007

0) In its starting point, this lecture is in agreement with the basic premise of the colloquium, i.e. that a profound transformation in our (Western cultures’?) relation to the future, took place between the end of World War II and our present. But the question that this lecture will ask is not the question of the (larger or smaller) »reasons« / »objects of reference« for this fear (such as demographic growth, global warming, etc.); its main thesis is to see the condition for our new, increasingly fearful relationship to the future in a transformation of the »chronotope« of the »construction of time« that surrounds us, within which the future is an unattainable position, different from the position that it used to have in the »historicist« chronotope as it had emerged and institutionalized itself during the 19th and early 20th centuries.

1) The historical argument will be introduced by a brief survey of subsequent »chronotopes« since the Middle Ages, showing how the (mostly) intellectual »price« attached to the claim (illusion?) that predicting the future has grown dramatically—up to a point where, in our present, this price is beyond reach.

2) For the reconstruction of the emergence of the »historicist chronotope« (the chronotope that ended up being so successful that Western culture tended to confuse it with »time, as such«), we go back to the early 19th century. We see the emergence of this chronotope as a response to (as a solution to the problem posed by) a specific concept of the historical »emergence of the second-order observer« (what Michel Foucault called »la crise de la représentation«), i.e. the insight that every phenomenon of reference in the world, according to the observer’s point of view, is capable of producing (of being represented by) an infinity of interpretations / renditions. The historicist chronotope that emerged as a »solution« to this problem will be described (mainly) following the theses of Reinhart Koselleck; i.e. we will emphasize its implicit promise of historical prognostication largely explored by Hegel and Marx, and the less obvious implication that the specific »present« of this chronotope is the idea of the habitat of the Cartesian Subject.

3) Why was the historicist chronotope so overwhelmingly successful in its institutionalization? One could argue that, in opposite (almost paradoxically opposite) ways, it was capable of serving the two dominant ideologies (and Economies) of the 20th century. In very different ways, and to very different degrees, both Capitalism and Socialism (Communism) rely on our being able to anticipate the future—a possibility that, based on reflection and other intellectual work, the historicist chronotope offers. In this sense, it is significant that Fascist ideologies tried to depart from the historicist chronotope (e.g. the Nazis’ »Empire of A Thousand Years«).

4) We will read the debate of the late 1970s and early 1980s on the »competition« between Modernity and Post-Modernity as a symptom of a transformation (replacement) of the historicist chronotope by another chronotope, for which we have not yet found an adequate description. This transformation certainly cannot be presented as a »victory« of either the »modern« or of the »post-modern« paradigm. Rather, I see this new (and yet nameless) chronotope as being characterized by three features: a past that almost aggressively invades the present (»Memoria-kultur«); an unattainable future that produces fear; and, between this future and that past, an ever-broadening present. An ever-broadening present, however, that can no longer be the present of the Cartesian Subject, i.e. of the »rationally choosing« Subject.

5) While we will largely refrain from postulating »historical reasons« for the transformations and reconstructions of time that we are trying to trace, the lecture will conclude with one speculation on this level. Could we say that, rather than reacting to »objective« transformations and points of reference in our environment (once again: demography, global warming, etc.), the transformation of our chronotope is a consequence of another transformation, a transformation of the dominant human self-reference that, under conditions of latency, has been taking place since the end of the Second World War? It would be a new type of human self-reference, which, after the first experience of mass destruction on a new scale, could no longer afford to remain purely Cartesian (i.e. purely »spiritual«). If, then, our dominant figure of self-reference today is decreasingly Cartesian, could this at least partly explain why our construction of time—and within our new construction of time: the way we experience the future—has undergone such a profound transformation?